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Goes back 2 weeks
1. Click on Location – select appropriate time zone (result shows time difference)
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5. Click Search
If you’re on Texas Time:
Use the dropdowns below – select the date, then the hour and click Search. Goes back two weeks.
| Tuesday 3rd November 2026 - 11pm | |||
|---|---|---|---|
| Time | Title | Artist | |
|
11:00pm | Choosey Beggar | The Miracles |
|
11:03pm | X Offender | Blondie |
|
11:06pm | Hallelujah Time | The Wailers |
|
11:09pm | The Rent | Bowery Riots |
|
11:13pm | Mad | Mad |
|
11:15pm | You Don't Know How It Feels | Tom Petty |
|
11:19pm | Déjà vu | Crosby, Stills, Nash & Young |
|
11:23pm | Shut Down | Soul Asylum |
|
11:26pm | All Things Must Pass | The Beatles |
|
11:29pm | Chicken on the Bone | Hasil Adkins |
🗃️ Link Dump
General Knowledge
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“Public domain” collections are not always 100% public domain. Check the rights statement on the specific item before reuse.
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After the Declaration: What Happens Next? – Museum of the American Revolution
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Thomas Jefferson and the Declaration of Independence – Monticello.org
Fourth of July – Independence Day – History.com
10 Things You Probably Didn’t Know About the Fourth of July – Mental Floss
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45cat (45rpm discography)
Internet Archive – 78rpm Collection
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Fan Wikis
King Crimson Wiki – Elephant Talk
Ween – Fan Wiki
Desi Arnaz
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Dinah Shore
Frank Sinatra
Tiny Tim
- Petula Clark – Downtown (1964) – Music Video
- Bobcat Goldthwait – YMCA (1990) – Music Video
- Where the water tastes like wine
- Larry Collins and Joe Maphis – Ramrod (1959) – Music Video
- The Easybeats – Friday On My Mind (1967)
- Alice Cooper – Billion Dollar Babies Tour (1973) – Music Video
- Marvin Gaye – What’s Going On – Live (1972) – Music Video
- Serge Gainsbourg & Jane Birkin – Je t’aime… moi non plus (1969) – Music Video
- The Space Lady – Major Tom (2013) – Music Video
- The Monks – Complication (1966) – Music Video
- Aphex Twin – Come To Daddy (1997) – Music Video
- Music – Link Dump (Updated)
- Jefferson Airplane – White Rabbit (1967) – Vocals Only – Music Video
- The Tielman Brothers – Rollin’ Rock (1960) – Music Video
- DPRK – Peace Is On Our Bayonets! – Music Video
- Led Zeppelin – Over the Hills and Far Away – (1973)- Music Video
- Neil Young – Bandit (2003) – Music Video
- Leonard Cohen – Everybody Knows – Live (2008) – Music Video
- David Bowie – Ashes To Ashes (1980) – Music Video
- Eartha Kitt – Santa Baby (1953) – Music Video
- The Beatles – When I’m Sixty-Four (1967) – Music Video
- Jimi Hendrix – The Star Spangled Banner – (1969) – Music Video
- Chinese survey ship loitering near undersea cable ignores Philippine demands to withdraw — evasive action point to growing PRC threats to data lines in the Pacific - Tom's Hardware
- Engineers Delicately Removed the Masts From This Bomb-Laden World War II Shipwreck in the River Thames. But 1,500 Tons of Explosives Are Still in Place - Smithsonian Magazine
- Iran’s plot to disrupt US midterms and meddle in Israel election - Telegraph
Petula Clark Downtown original version (1964)
Bobcat Goldthwait – YMCA (4-20-90) – CBS/Hard Rock Cafe Special – 2:13
2001: A Space Odyssey (1968) – Clip – “I’m sorry Dave, I’m afraid I can’t do that”
2001: A Space Odyssey – (1968) – Clip – The Shutdown of HAL – 4:56
Joy Division – Transmission – BBC2 – (September 15, 1979) – 3:12
Canned Heat – Going up the Country (1969) – Woodstock Festival Grounds – 3:14
Talking Heads – The Big Country – Berkeley (1978) – 6:15
Vince Collins -200 (1976) – 3:22
Davey And Goliath – Episode 1 – Lost in a Cave (1960) – 14:59
Larry Collins and Joe Maphis – Ramrod (1959) Live on Town Hall Party
The Easybeats – Friday On My Mind (1967) – French TV
Alice Cooper Group – Billion Dollar Babies tour (1973)
Marvin Gaye – What’s Going On – Live (1972)
Beany and Cecil – Beany’s Beany Cap Copter (1962)
Serge Gainsbourg & Jane Birkin – Je t’aime… moi non plus/(1969)
Metropolis (1927), Fritz Lang – Dance Scene [4K, 60fps, colorized]
Metropolis (1927) | Colorized & Remastered in 4K | Sci-Fi Masterpiece
The Space Lady: Major Tom
The Monks – Complication (1966)
A Trip To The Moon | Classic Sci-Fi Silent Film 1902 | Color Restored HD
Aphex Twin – Come To Daddy (Director’s Cut)
WWE: White Rabbit (Vocals Only) by Jefferson Airplane
Tielman Brothers – Rollin Rock (Best Rock ‘n’ Roll / Indo Rock) Live TV Show 1960
[DPRK Song & English Subtitles] Peace Is On Our Bayonets!
Led Zeppelin – Over the Hills and Far Away (Live at Madison Square Garden 1973)
Neil Young – Bandit
Leonard Cohen – Everybody Knows (Official Live in London 2008)
David Bowie – Ashes To Ashes (Official Video) [4K]
The Tank Man (full documentary) | FRONTLINE
CBS Evening News (5/14/1989): Pro-Democracy Students on Hunger Strike
From the Archives: 1989 Tiananmen Square Massacre
Man vs. Tank in Tiananmen Square (1989)
Tiananmen Square Protesters Recount Massacre 30 Years Later
The Week That Shook The World: The Soviet Coup — ABC News
Soviet Coup 1991: Day One – ABC News – August 19
Soviet Coup 1991: Day Two – ABC News (full broadcast)
Soviet Coup 1991: Day Three – ABC News (full broadcast)
USSR Coup (Raw Video)
Dramatic News Footage of Romanian Revolution (1989-90)
December 21, 1989 | NBC NEWS | Romanian Revolution | Ceaușescu’s last speech
Nicolae Ceaușescu Last Speech
Romanian Revolution | Intense Fighting for Bucharest TV Tower
Ceaușescu – Procesul și Execuția (integral, necenzurat)
Eartha Kitt – Santa Baby (1953)
Leroy Anderson Ritvélin – The Typewriter
King Crimson – Elephant Talk
Pere Ubu – We Have The Technology
GET BACK TAKE 1 | THE BEATLES ROOFTOP CONCERT
ZZ Top – Heard It On The X (Official Music Video)
The Beatles – When I’m Sixty Four
Jimi Hendrix – The Star Spangled Banner [National Anthem] (Live at Woodstock 1969)
Ween – Happy Colored Marbles
- Gas inside us could fight wound infections, moth study shows - Phys Org
- Sniffing out the link between odor and disease - Knowable Magazine
- The Links Between Napping And Dementia May Go Further Than We Realized - Science Alert
- Does It Matter if Men Pee Sitting or Standing? A Randomized Test Has an Answer - ScienceAlert
- Nose Spray Made From Toad Venom Compound Quickly Eases Depression For Weeks in Clinical Trial : ScienceAlert - ScienceAlert
- Remember When Scientists Invented a Robot Tail to Improve Our Human Balance? - ScienceAlert
- Scientists reveal a hidden snakebite crisis killing up to 513,000 people a year - Sciencedaily
- Homemade Dog Repellent That's Pet-safe - How Stuff Works
- Scientists Feared This Cute but Venomous Primate Had Gone Extinct Nearly 100 Years Ago. It Was Hiding in Plain Sight All Along - Smithsonian Magazine
- Why large dogs age faster than small ones, and other October research highlights - Ars Technica
- Zombies are real - just ask the parasites taking over the bodies and brains of insects and rodents - Phys Org
- 10 Most Dangerous Sharks: Which Species Pose the Greatest Risk? - How Stuff Works
- Chernobyl's Dogs Are Genetically Different, And We May Finally Know Why - ScienceAlert
- Crows Can Make Decisions Based on Visual Information at Lightning Speed - Roughly Twice as Fast as Humans Can, Study Suggests - Smithsonian Magazine
- In 1934, a doctor brought a dog back to life. He tried to do the same with humans. | Popular Science - Popular Science
- Vultures Help Eliminate Pathogens. Bird Flu Could Eliminate Them - Nautilus
- Why animal blood comes in different colors | Knowable Magazine - Knowable Magazine
ReplayGain analyzes how loud a track sounds and tells the player how much to raise or lower it during playback. The audio file itself can remain unchanged (nondestructive), so the adjustment is reversible and does not require re-encoding. ReplayGain is a common standard, but it is not universal.
LUFS (Loudness Units relative to Full Scale) measures the average perceived loudness of audio over time. The numbers are negative because digital audio has a fixed maximum level of 0. A song at −15 LUFS is not being reduced by 15 dB; it simply measures −15 on that loudness scale. Its individual peaks may still rise close to the digital maximum, for example −1 or −2 dBTP.
Two songs can both peak near 0 dB but one might measure −9 LUFS and the other −18 LUFS. LUFS describes how loud the whole song feels, while peak measurements describe only its loudest moments.
NTR is streaming at -14 LUFS
| Approximate range | Typical use | Main advantage | Main disadvantage |
|---|---|---|---|
| −27 to −23 LUFS/LKFS | Film and television | Maximum headroom and dynamics | Quieter average playback |
| −20 to −16 LUFS | Internet radio, podcasts, quieter music playback | Good dynamics with practical loudness | Can seem quiet in noisy environments |
| −16 to −14 LUFS | Mainstream music streaming | Good balance of loudness and headroom | Some dynamic recordings may need peak control |
| Around −11 LUFS | Loud listening modes | Better audibility in noisy environments | More limiting and reduced dynamic range |
| Outlet / Standard | Loudness | Compared with your −14 LUFS |
|---|---|---|
| Netflix | −27 LKFS dialogue | 13 dB quieter |
| U.S. Digital TV – ATSC A/85 | −24 LKFS | 10 dB quieter |
| European TV – EBU R128 | −23 LUFS | 9 dB quieter |
| AES Internet radio / streaming | −20 to −16 LUFS | 6 to 2 dB quieter |
| Spotify – Quiet | −19 LUFS | 5 dB quieter |
| Apple Music / Sound Check | ≈−16 LUFS | ≈2 dB quieter |
| Apple Podcasts | −16 LKFS | 2 dB quieter |
| North Texas Radio | −14 LUFS | Reference |
| Spotify – Normal | −14 LUFS | Same target |
| YouTube | ≈−14 LUFS | ≈Same target |
| TIDAL | ≈−14 LUFS | ≈Same target |
| Amazon Music | ≈−14 LUFS | ≈Same target |
| Amazon Alexa audio | −14 LUFS | Same target |
| Spotify – Loud | −11 LUFS | 3 dB louder |
| U.S. FM radio | No LUFS target | Uses modulation and broadcast processing |
| U.S. AM radio | No LUFS target | Uses modulation and broadcast processing |
| Live365 | No published LUFS target | Cannot directly rank |
ChatGPT-5.6 Sol.
North Texas Radio’s stream headroom is set to −0.2 dB. Over the past two weeks at this setting, the highest measured stream peak has been −0.1 dBTP. Problem peaks have been corrected in the streaming library, and ReplayGain adjusts track playback levels.
| True Peak | Headroom to 0 | Practical meaning |
|---|---|---|
| −3 dBTP | 3 dB | Very conservative. Plenty of room for encoding and processing |
| −2 dBTP | 2 dB | Common broadcast safety margin before lossy encoding |
| −1.5 dBTP | 1.5 dB | Comfortable streaming margin |
| −1 dBTP | 1 dB | Common streaming recommendation. Good balance of loudness and safety |
| −0.8 dBTP | 0.8 dB | Slightly less safety margin |
| −0.6 dBTP | 0.6 dB | Quite close to full scale but still below it |
| −0.3 dBTP | 0.3 dB | Very little room for codec or processing overshoot |
| 0 dBTP | 0 dB | No headroom |
| Above 0 dBTP | None | Potential clipping during playback or conversion |
| Outlet / standard | Loudness target | Typical maximum True Peak / headroom |
|---|---|---|
| Netflix | −27 LKFS dialogue | −2 dBTP; Netflix suggests limiter around −2.3 (Netflix Partner Help Center) |
| U.S. TV – ATSC A/85 | −24 LKFS | below −2 dBTP to allow for downstream encoding (ATSC : NextGen TV) |
| European TV – EBU R128 | −23 LUFS | −1 dBTP for linear audio; −2 dBTP may be used before lossy codecs (EBU Tech) |
| AES Internet streaming | current recommendation ≈−18 LUFS | −1 dBTP at codec input (AES) |
| Spotify Normal | −14 LUFS | generally preserves 1 dB headroom; recommends masters below −1 dBTP (Spotify) |
| Spotify Loud | −11 LUFS | limiter engages at −1 dB sample peak (Spotify) |
| Apple Podcasts | −16 LKFS | ≤−1 dB true peak before encoding (Apple Podcasts) |
| FM / AM radio | no LUFS equivalent | not directly comparable; controlled by modulation/processor limits |
| Live365 | no published LUFS target | no useful published true-peak ceiling I can find |
ChatGPT-5.6 Sol.
These are the specific steps AI took to analyze and make corrections
- Created a
.ps1script for the Windows loudness scan. - Ran the
.ps1in Windows PowerShell, which scanned the music files and created.csvreports. - Analyzed the
.csvfiles for:- Current loudness of each track
- Tracks significantly below the target
- Gain required to approach −14 LUFS
- Peak / true-peak problems
- Tracks marked Reduced to prevent clipping
- Files that could not be scanned
- Errors and unusual results
- Set the correction criteria:
- Target approximately −14 LUFS
- Only correct tracks at least 1 dB below target
- Maximum projected true peak approximately −1.5 dBTP
- Do not force a track to −14 if doing so would create excessive peaks
- Created a candidate list from the CSV analysis.
- Ran a preflight check in PowerShell before changing any audio:
- Verified file paths
- Checked for missing files
- Verified proposed gain changes
- Checked projected true peaks
- Confirmed there were 0 missing files
- Created a manifest listing the files to be processed and the planned corrections.
- Because some tracks in the working library had already been modified, untouched backup copies were used as the source for those corrections. This avoided re-encoding already processed MP3s and adding another generation of lossy compression.
- Ran the correction
.ps1in PowerShell. The script:- Read the candidate/manifest information
- Located each original file
- Applied the calculated gain
- Reduced the gain when necessary to protect the peak ceiling
- Created the corrected files
- Logged the changes made to each file
- Reported files that failed
- Reviewed the results and errors.
- Checked files that could not be processed
- Checked tracks whose gain had to be reduced to prevent clipping
- Identified unusually quiet tracks that still needed individual attention
- Put the corrected files into the working music library, retaining the existing folder structure and filenames.
- Tested the corrected library through StationPlaylist and the stream.
ChatGPT-5.6 Sol.
For most personal music libraries, permanently changing the audio files is unnecessary. First check whether your player supports loudness normalization, such as ReplayGain, and whether it is enabled and working. That is usually enough to make playback volume more consistent.
Important Warning Before Modifying Audio Files!
These are destructive changes. The correction process can permanently alter audio files. If a script is pointed at the wrong folder, given the wrong settings, or allowed to overwrite the originals, the damage may be difficult or impossible to reverse.
Check whether permanent file changes are necessary
Before modifying any music files, check whether the playback software supports ReplayGain or another loudness-normalization system. Determine whether that feature is enabled and working correctly. Then determine whether permanent modification of the audio files is necessary or whether playback normalization alone can achieve the desired result.
Before modifying any audio files, have/make two complete backups of the original music library. Store one backup on a different drive or at a separate location and leave it untouched. The second backup may be used as a read-only source if corrected copies are needed later. Do not modify either backup in place. Corrected files should always be written to a separate working or output location. Test the process on a small group of files first. Verify the output before running it on thousands of tracks. Keep the CSVs, manifests, and logs so every change can be traced. If MP3 files must be re-encoded, use untouched originals whenever possible rather than processing files that have already been altered or re-encoded.
The safest approach is: Original library → two verified backups → test batch → verified corrected copy → working library
Do not begin large-scale correction until the backup has been checked and can actually be restored.
Prompts for Analyzing and Correcting a Music Library
Copy the prompts below into ChatGPT one at a time. Complete each step before moving to the next. When a step creates a CSV or other report, upload that file with the next prompt.
Adjust settings such as the loudness target to fit your system..
- Create the scanning script
Prompt – I have a Windows music library containing MP3 files. I want to analyze every audio file recursively without modifying anything. Create a PowerShell .ps1 script that scans the files and produces a CSV containing the full file path, integrated LUFS, peak or true-peak information, scan status and any errors. Before writing the script, tell me what software or command-line tools need to be installed. Include exact instructions for running the script in Windows PowerShell. - Analyze the CSV
Prompt – Analyze this loudness-scan CSV. My target is −14 LUFS. Identify tracks that are at least 1 dB quieter than the target. For each track calculate how much gain would be required to approach −14 LUFS. Also check whether that increase would cause its true peak to exceed −1.5 dBTP. Do not modify any files. Create a table showing current LUFS, current peak, requested gain, maximum safe gain, projected LUFS, projected peak and whether the gain needs to be reduced to prevent clipping. - Find problems before changing anything
Prompt – Examine these scan results for anything that should be reviewed manually before processing. Look for failed scans, missing measurements, unusually low or high loudness, suspicious peak values, files that cannot safely reach the target and anything else that appears abnormal. Separate these from the files that can be processed automatically. - Create a preflight
Prompt – Using the approved correction list, create a PowerShell preflight script. It must not change any audio. Verify that every source file exists, destination paths are valid, there are no duplicate or conflicting filenames, proposed gain for each file is correct and projected peak levels remain within the selected ceiling. Create a CSV manifest showing exactly what would happen. Stop and report errors rather than guessing or silently skipping files. Do not proceed to the correction stage until the preflight results have been reviewed and approved. - Create the correction script
Prompt – Now create the PowerShell script that performs the approved corrections. Apply corrections only to the tracks in the approved list. Raise each selected track toward −14 LUFS, but reduce the gain when necessary so the true peak does not exceed −1.5 dBTP. Read from the designated source files and write corrected files to a separate output location. Never modify the source or backup files in place. Preserve filenames, folder structure, metadata, tags and artwork where possible. Do not silently change the audio format, channel configuration, sample rate or encoding settings without explaining why. Log every successfully processed file, the applied gain, files whose gain was reduced because of peak headroom, and every failure. Do not process files that are not on the approved correction list. Before running the script, explain clearly whether the process requires MP3 re-encoding and what changes will be made to the audio files.
*Important: If the files being corrected have already been modified, normalized, or re-encoded, do not process those altered MP3s again if untouched originals are available. Use the untouched backup files as the source and place the newly corrected versions into the working or streaming library. This avoids an unnecessary additional lossy MP3 encode. - Verify the corrected files
Prompt – Create a second scan of the corrected files and compare it with the original CSV. Show the original LUFS, original peak, applied gain, new LUFS, new peak and difference from the original. Flag any files that did not change as expected, exceeded the intended peak ceiling, failed processing or remain significantly below the −14 LUFS target. Confirm that the number of output files matches the number successfully processed
ChatGPT-5.6 Sol.
Resources
Microsoft – Accessibility/Disability Support
Apple Accessibility Features
AbilityNet – Digital Accessibility Free Resources
ADA – Fact Sheet – Web Content and Mobile Apps
Google PageSpeed Insights
Wave – Web Accessibility Evaluation Tool
W3 -Web Accessibility Evaluation Tools List
A11Y – Checklist
axe DevTools Browser Extensions
Firefox
Chrome
Edge
- It’s a Big One!
- Radio, Live Transmission
- Web Design for Accessibility
- Web Design and Site Info > Accessibility > Web Design for Accessibility – Link Dump
- We Have the Technology – Website Info
- Hello world! – Website Info
- DNS Propagation – Website Info
- DNS – Link Dump
- Music Submissions – Website Info
- Hello World! V2 – Website Info
Bart: “This is the worst day of my life.”
Homer: “The worst day of your life so far.”
– The Simpsons – The Simpsons Movie (2007)
“I like work: it fascinates me. I can sit and look at it for hours.”
– Jerome K. Jerome – Three Men in a Boat (1889)
“It sounds plausible enough tonight, said the Medical Man; but wait until tomorrow. Wait for the common sense of the morning.”
– H. G. Wells (1895)
“The teacher who has had “twenty years of experience,” is more apt to have had one year’s experience repeated twenty times.”
– W. H. Burton (1928)
“This mysterious mushroom makes people see hundreds of tiny humans”
– University of Utah/ScienceDaily (October 25, 2026)
“The whole aim of practical politics is to keep the populace alarmed (and hence clamorous to be led to safety) by an endless series of hobgoblins, most of them imaginary.”
– H.L. Mencken (1922)
“A wise man once said…
Nothing”
– Anonymous
“Of all tyrannies a tyranny sincerely exercised for the good of its victims may be the most oppressive. It may be better to live under robber barons than under omnipotent moral busybodies. The robber baron’s cruelty may sometimes sleep, his cupidity may at some point be satiated; but those who torment us for our own good will torment us without end for they do so with the approval of their own conscience.”
– C. S. Lewis (1949)
“We must, indeed, all hang together, or most assuredly we shall all hang separately.”
– Benjamin Franklin (1776)
“To see what is in front of one’s nose needs a constant struggle.”
– George Orwell (1946)
“There are two kinds of people who are staying on this beach: those who are dead and those who are going to die. Now let’s get the hell out of here.”
– Col. George A. Taylor, Omaha Beach, June 6, 1944
“It’s lonely at the top, and nobody likes to be a loser, so strive for mediocrity.”
– Scott Adams – Hartwick Senior Yearbook (1979)
“Outside of the killings, [Washington, D.C.] has one of the lowest crime rates in the country.”
– Mayor Marion Barry (1989)
“All bleeding stops eventually.”
– Surgical Adage
“What is objectionable, what is dangerous about extremists is not that they are extreme, but that they are intolerant.”
– Robert F. Kennedy, The Pursuit of Justice (1964)
“In any great organization it is far, far safer to be wrong with the majority than to be right alone.”
– John Kenneth Galbraith (1989)
“We’re the victims of a foul disease called social prejudice, my child. These dear ladies of the Law and Order League are scouring out the dregs of the town. Come on. Be a proud, glorified dreg like me.”
– Dr. Josiah Boone – Stagecoach (1939)
“We have all forgot more than we remember.”
Thomas Fuller, M.D. (1732)
“Here is Edward Bear, coming downstairs now, bump, bump, bump, on the back of his head, behind Christopher Robin. It is, as far as he knows, the only way of coming downstairs, but sometimes he feels that there really is another way, if only he could stop bumping for a moment and think about it.”
– A.A. Milne – Winnie-the-Pooh (1926)
“In Switzerland, they had brotherly love, they had five hundred years of democracy and peace – and what did that produce? The cuckoo clock.”
– Harry Lime (Orson Welles) – The Third Man (1949)
Trying is the first step toward failure.
– Homer Simpson (1997)
“Do the youngsters know what these goofballs are made of, son?”
– Sgt. Joe Friday (1952)
“What Jesus fails to appreciate is that it’s the meek who are the problem.”
– Life of Brian
“Making money ain’t nothing exciting to me. … You might be able to buy a little better booze than some wino on the corner. But you get sick just like the next cat, and when you die you’re just as graveyard dead as he is.”
– Louis Armstrong (1964)
June: “I got a call from your principal’s office. Do you know why I would need to go to the principal’s office?”
Beaver: “Wally must have done something bad.”
– Leave it to Beaver (1957)
“To me, tragedy is if I’ll cut my finger. That’s tragedy. … And to me, comedy is if you walk into an open sewer and die.”
– Mel Brooks (1962)
“There has been a great laziness in my soul. Lots of days I could write songs, but I could also take my $400 and play the slot machines at the riverfront casino.”
– Chuck Berry (2001)
“We laugh at nonsense. We like it. We think it’s funny. Don’t you think it’s odd that we appreciate absurdity? Why would we develop that way? How does it benefit us?.”
“I suppose if we couldn’t laugh at things that don’t make sense, we couldn’t react to a lot of life.”
– Bill Watterson – Calvin and Hobbes (1991)
“My father is no different than any other powerful man, any man with power, like a president or senator.”
“Do you know how naive you sound, Michael? Presidents and senators don’t have men killed.”
“Oh. Who’s being naive, Kay?”
– The Godfather (1972)
“You know, I wanted to sit on a jury once and I was taken off the jury. And the judge said to me, ‘Can, you know, can you tell the truth and be fair?’ And I said, ‘That’s what journalists do.’ And everybody in the courtroom laughed. It was the most hurtful moment I think I’ve ever had.”
– Diane Sawyer (2007)
“Nobody realizes that some people expend tremendous energy merely to be normal.”
– Blanche Balain, recorded in Albert Camus’s Notebooks (1942–1951)
“Corn Pop was a bad dude and he ran a bunch of bad boys.”
– Joe Biden (2017)
“In fact, our reverence for the truth might be a distraction that is getting in the way of finding common ground and getting things done.”
– NPR CEO Katherine Maher (2024)
“Taco Bell worker fires gun at three female customers after one tried to fill water cup with soda”
– NBC Miami (April 29, 2026)
“PS I forgot to say there is no worry about FOIAs. I can either send stuff to Tony on his private gmail, or hand it to him at work or at his house. He is too smart to let colleagues send him stuff that could cause trouble.”
– David Morens, M.D. (2021)
“Fuckin’ big bastards, that’s what the Beatles were. You have to be a bastard to make it, that’s a fact, and the Beatles are the biggest bastards on earth.”
– John Lennon (1970)
Once is happenstance. Twice is coincidence. The third time it’s enemy action.
– Ian Fleming (1959)
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